by Bob Cantwell
I am a trumpet player and leader of
a six-piece jazz band, "Bob Cantwell
and The Saturday Night Stompers,"
which was the Saturday night band at
New York's famous Red Blazer Too for
24 years starting from 1978. Other
bands performing there were those of
Vince Giordano, Sol Yaged, Stan
Rubin, and other well known
traditional jazz and swing groups.
Sol Yaged is presently our clarinet
player (yes, the band is still going
strong).
The reason for this message is your
article on the old Nick's in
Greenwich Village. While this club
is deservedly famous and a source of
much nostalgia, there is another
venue from fifty years ago which is
equally important and generally
ignored. I am talking about the
Central Plaza, located on 2nd Avenue
at 6th Street in the East Village
section of New York City. "The
Plaza," as we old fans used to refer
to it, operated only on Friday and
Saturday evenings, and featured two
trad bands on each of those nights.
The audiences were
mainly kids in their 20s, and
dancing was a big part of the
attraction. The action took place in
a large ballroom on the top floor of
a 5-story building. These audiences
were not so much hard-core jazz fans
as kids looking to have a good time
and meet girls, yet the bands were
staffed exclusively by top-notch
names in jazz. The popular libation
was a pitcher of beer for $2.50,
although hard liquor was available.
"The Plaza" was in operation from
the early ‘50s to about 1963, when
the promoter died suddenly. This
promoter, who doubled as M.C., was
Jack Crystal, who was the father of
comedian Billy Crystal.
Let me name some of the bands and
musicians who appeared there
regularly:
Wild Bill Davison, Freddy Moore,
Willie “The Lion" Smith, Max
Kaminsky, Phil Napoleon and his
band, Tyree Glenn, Big Chief Russell
Moore, Tony Parenti, Conrad Janis
(an actor and trombone player,
tremendously popular), Harry DeVito,
Tony Spargo, Panama Francis, and
many, many others. Louis Armstrong
was there once.
It is a shame that this venue is so
overlooked by nostalgia buffs. I was
a regular patron (from age 19) and
can tell you that the Central Plaza
was possibly the best of all the
jazz venues in New York during the
‘50s and early ‘60s.
Just remembered two more names: Gene
Cedric and Dick Wellstood. Others
will occur to me. Sol Yaged, my
present clarinetist, was a fixture
at The Metropole, located in Times
Square. This club kept its doors
open at all times, so the thousands
walking by day and night got quite a
treat from all the great jazz
emanating from this club (or should
I say saloon.)
The configuration of the bands were
unique—there was a long bar running
from front to rear, with a
two-foot-wide platform running the
length of the bar. The entire band
would stand side by side on this
platform and perform for the patrons
and for the crowd outside gawking
through the open doors. It was quite
a scene, and very loud, I might add.
Henry “Red” Allen was another
mainstay. What a character—great
player and singer, as well as
comedian. I recall seeing Coleman
Hawkins playing from that platform.
A great air of excitement permeated
the whole scene at all times.
Sometimes 15 players stood side by
side blowing their asses off. Oh,
let's not forget Roy Eldridge,
another regular.
Another venue I haven't heard about
in a long time was Child's
Paramount, located downstairs from
the famous Paramount Theater in
Times Square. I saw Sidney Bechet
there when I was 18 years old, in
1952. Child’s was a national
restaurant chain at the time. They
were famous for their small
portions. In the song "Manhattan,”
there's a line, "We'll starve
together, dear, in Child’s,” as
recorded by Dinah Washington. Bechet
was awesome. What power!
Bob Cantwell