Riverwalk Jazz Web Exclusive
This week on Riverwalk Jazz, Broadway’s Carol Woods joins us to celebrate a largely unsung group of black women who were a driving force in the Harlem Renaissance.
The Shining Parlor By Anita Scott Coleman
A white man's street . . .
Jammed with automobiles
Streetcars and trucks;
Bee-hived with fruit vendors' stalls,
Real estate concerns, meat shops,
Dental clinics, and soft drink stands.
It was a drab street
A white man's street . . .
But it held the shining parlor—
A boot-black booth,
Commandeered by a black man,
Who spent much time smiling out
Upon the hub-bub of the thoroughfare.
Ever . . . serenely smiling . . .
With a brush and soiled rag in his hands.
Often . . . white patrons wait for
Their boots to be "shined,"
Wondering the while
At the wonder--
Of the black man's smile.
Born in Mexico, Anita Scott Coleman was never a resident of Harlem, but her work reflects the ideals of the emerging 'Black Renaissance.'